The key to avoiding any lag is to stay within one preset. Let’s start simple and say you add one $30 aux switch and link it to the hotswitch function of any Space or H9 algo. Options explode when you do this … including solving the volume pedal issue you have. I too place a premium on simplicity, but there is so much jammed into the H9 I can’t complain if I have to add an aux switch or an expression pedal. You cannot set one H9 footswitch to scroll up and the other to scroll down.Īlso, you need at least one aux switch and/or an expression pedal to accomplish what I describe. This allows you to (for example) lean into the exp ped for a clean boosted solo and also blend in a delay or a chorus or both just for that solo. Similarly, you can tell a MIDI exp ped to vary the exp ped control change parameter (that you already set up with the H9 control app) and the output level control change parameter at the same time. Just tell one MIDI footswitch to control both the Hotswitch control change parameter and the output level control change parameter as the same time.
Thus, using MIDI you CAN treat it as a secret 11th parameter. However, the output fader IS controllable via MIDI because there is a MIDI control change parameter for it in the H9. Each H9 algo has 10 controllable parameters and the output level is NOT one. The H9 output level fader is not controllable in real time with either the Hotswitch or an exp ped. That MIDI footswitch will then act like a Hotswitch for algos that do not have a Hotswitch.Ģ. Then, using MIDI set up a switch that toggles between 0 and 127 and direct that switch to control the exp ped control change parameter within the H9. BUT if you run MIDI you can get the same result using the ribbon controller (exp ped) as follows: Use the H9 control app to set up a preset with exp ped capability as desired. 30 of the H9 algos (the ones also found in the 3 Factor pedals) do not have Hotswitch capability. Plus, in 22 of the 52 algos, one can switch between the effect combinations (in real time with no glitch or lag) with a footswitch (called the Hotswitch).ġ. Plus, one can morph between any of these effect combinations in real time with an expression pedal. … harmonic trem, or optical trem, or bias trem, or squarewave/chop, all with or without overdrive? Harmadillo. … stereo leslie, stereo chorus, or stereo flange? Tricerachorus. … delay, fuzz, and/or harmonizer? Pitchfuzz. …pitchshift/chorus and/or digital delay Micropitch.
…analog chorus and/or analog style delay? Vintage delay. This one is particularly powerful because the algo can change the effect routing (series vs parallel) too.ĭo you want compression, volume pedal, and/or two bands of parametric eq (plus highpass and lowpass)? That algo is Eqcompressor.ĭo you want distortion/fuzz, eq, and/or autowah, or manual wah? That’s an algo named Sculpt. That’s three effects at once.Īnother algo called Spacetime provides any one or combination of chorus, dual digital delay, and/or reverb. just ridiculously flexible.įor example, an algo named Modechoverb provides any one or combination of modulation (your choice of flange or chorus), echo (an analog style delay), and/or reverb that’s why it’s called mod(ulation)-echo-(re)verb. There are limitations it is not infinitely flexible. Believe me, the guys who put these algos together chose the effects in each one wisely. Each algo performs one, two, three, or four different effects at a time, depending on the specifics of the algo. The H9 runs one of 52 algorithms at a time.
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